{"id":"01KG8B56SF3TCG9QM18RYAYR7K","cid":"bafkreigmg24xdlj7b777h7dr6fxrfxyz3uaaiau7dvqcy4kboctp2tax6e","type":"file","properties":{"cid":"bafkreifmrshryuocaqinpb2cliebvy4pbveot43q5npem27c5rcipzjeo4","content_type":"image/jpeg","filename":"02_venus_and_adonis_1905_facsimile_page_0168.jpg","height":2400,"key":"pdf-page-1769806643975-qgbpufvn2l","label":"02_venus_and_adonis_1905_facsimile_page_0168.jpg","page_number":168,"pdf_type":"born_digital","size":514555,"text":"32\nLUCRECE\nfigures in all extant impressions save in the two in the Bod-\nleian Library, where the line reads —\nlinen so this pattern of the worne out age.\nIt is difficult to determine which is the better reading, but\nit is clear that ' the patterne of this . . . age ' was deemed the\nbetter by the corrector of the press.\nMisprinrs\nThe\nfollowing\ntwo misprints\nin\nthe\nBodleian\ncopy,\nwhich\npeculiar\nto\njg\n]^qj.^\nreproduced,\nare also\nmet\nwith\nin\nthe\nsecond\ncopy\ninthree extant\ncopies. the same library and in the Sion College copy as Avell, but\nboth are corrected in the De^'onshire and British Museum\ncopies: — line 1182, 'which /or (instead of ^y) him tainted 'j\nline 1337, ' blast/ ' for < blast.'\nMisprints in The following mispriuts seem common to all impressions :—\nTitle-page\n(last\nline)\n'Churh-yard'\nfor\n<\nChurch-yard'\nj 'sleeep'\n(1.\n1(^3)\nfor* sleep\n'j\n<\nto\nbegnild\n'\n(1\n.\n1^44)\nfor 'so\nbeguild';\n«on'\n(1. i(J8o) for\n<in';\n<it in'\n(1. 171\n3) for <in\nit.'\nThe\ninverted\ncommas\nat\nthe beginning\nof\n11.\n8^7-8\nare\nex-\nceptional, and\nmay\nalso\nbe reckoned\namong\ntypographical\ninaccuracies.\nCapital The volume oifers examples of the ordinary irregularities\n'^.\".^.'^ , which are usually met with in specimens of Elizabethan typo-within the , -^ . . ^ . .•'■■■\nline. graphy. Capital letters within the line are used little less\narbitrarily than in Fejiiis and Ado7ns. Such ordinary words as\n<Tent' (If), 'Bee' (8 3(J, 840, 1 7*^9), 'Citty' (if h) and 'Foe'\n(I cTo 8 ), are always dignified with an initial capital. But the per-\nsonified 'time ' and ' opportunity ' go without the distinction.\nNo law is observable in such a distribution of capitals. In the\nfirst part of the poem, 'Beauty' is invariably spelt with a capital,\nbut in the concluding stanzas it appears with a small letter ;\nthe word is used eighteen times in all, and the capital appears\ntwelve times. ' Sun ' occurs eight times in all, five times\nall extant\ncopies","text_extracted_at":"2026-01-30T20:57:23.975Z","text_extracted_by":"pdf-processor","text_has_content":true,"text_source":"born_digital","uploaded":true,"width":1632},"relationships":[{"peer":"01KG89K4X0DM39SSQK43XXG34R","predicate":"derived_from"},{"peer":"01KG89JREDR8WY5QQGYR5FZRDY","peer_type":"collection","predicate":"collection"}],"ver":2,"created_at":"2026-01-30T20:57:46.543Z","ts":"2026-01-30T20:58:35.573Z","edited_by":{"method":"manual","user_id":"01KFFH6ETXGRVD10WPNP3007D6"}}