{"id":"01KG8B0AH7RM718S037CHF1J1W","cid":"bafkreiek7cgy3z2ejg74mz3yemh3ezbiud65cwwddfinaexcabk4pffxaa","type":"file","properties":{"cid":"bafkreidpe6z4k7i4vwxv55sv2oo5qmeewjj4ex65a6vythqcevxc7mopbi","content_type":"image/jpeg","filename":"03_merry_wives_of_windsor_1905_page_0147.jpg","height":1778,"key":"pdf-page-1769806505245-5mptasmvy7v","label":"03_merry_wives_of_windsor_1905_page_0147.jpg","page_number":147,"pdf_type":"born_digital","size":337241,"text":"\\ ..-' ■^, . ■;.^i''(X\nDatchet Mead\nNOTES\nIntroduction\nThe Metre of the Play. — It should be understood at the\noutset that 7netre, or the mechanism of verse, is something alto-\ngether distinct from the music of verse. The one is matter of rule,\nthe other of taste and feeling. Music is not an absolute necessity\nof verse ; the metrical form is a necessity, being that which con-\nstitutes the verse.\nThe plays of Shakespeare (with the exception of rhymed pas-\nsages, and of occasional songs and interludes) are all in unrhymed\nor blank verse ; and the normal form of this blank verse is illus-\ntrated byiii. 4. i of the present play : \" I see I cannot get thy\nfather's love.\"\nThis line, it will be seen, consists of ten syllables, with the even\nsyllables (2d, 4th, 6th, 8th, and loth) accented, the odd syllables\n(ist, 3d, etc.) being unaccented. Theoretically, it is made up of\nfivey^^/of two syllables each, with the accent on the second sylla-\nble. Such a foot is called an iambus (plural, iambuses^ or the Latin\niambi) f and the form of verse is called iambic.\n141","text_extracted_at":"2026-01-30T20:55:05.245Z","text_extracted_by":"pdf-processor","text_has_content":true,"text_source":"born_digital","uploaded":true,"width":1084},"relationships":[{"peer":"01KG89K4N3KNPAGDJAVRPVWBA4","predicate":"derived_from"},{"peer":"01KG89JREDR8WY5QQGYR5FZRDY","peer_type":"collection","predicate":"collection"}],"ver":2,"created_at":"2026-01-30T20:55:06.535Z","ts":"2026-01-30T20:55:09.433Z","edited_by":{"method":"manual","user_id":"01KFFH6ETXGRVD10WPNP3007D6"}}