{"id":"01KG6QHPVY207QBV89ACFCNVMZ","cid":"bafkreigrvaighiamhclqbafe5yeuhrg7ysswaqahfyynvksvb23ztjjspq","type":"file","properties":{"cid":"bafkreia7s3q7ro3bkw44bckv7z363tg4ae56iq5linebosbkqzreke274m","content_type":"image/jpeg","filename":"06_poems_pericles_facsimiles_1905_oxford_page_0430.jpg","height":2400,"key":"pdf-page-1769752548768-utoegqd7s7","label":"06_poems_pericles_facsimiles_1905_oxford_page_0430.jpg","ocr_model":"mistral-ocr-latest","page_number":430,"size":521664,"text":"19\n\n# SONNETS OF SHAKESPEARE\n\nurges on Adonis in Shakespeare’s poem (cf. ll. 129–32, 162–74, 1751–68). The plea is again developed by Shakespeare in *Romeo and Juliet*, i. i. 218–28. Elsewhere he only makes slight and passing allusion to it—viz. in *All’s Well*, i. i. 136, and in *Twelfth Night*, i. 5. 273–5. The bare treatment, which the subject receives in these comparatively late plays, notably contrasts with the fullness of exposition in the earlier passages.¹\n\nAn almost equally prominent theme of Shakespeare’s sonnets—the power of verse to ‘eternize’ the person whom it commemorated—likewise suggests early composition. The conceit is of classical origin, and is of constant recurrence in Renaissance poetry throughout Western Europe. The French poet, Ronsard, never tired of repeating it in the odes and sonnets which he addressed to his patrons, and Spenser, Daniel, and Drayton, among Elizabethan poets, emulated his example with energy. Shakespeare presents the theme in much the same fashion as his English contemporaries, and borrows an occasional phrase from poems by them, which were in print before 1594. But the first impulse to adopt the proud boast seems to have come from his youthful study of Ovid. Of all Latin poets, Ovid gave the pretension most frequent and most frank expression. *Sonnet LV*, where Shakespeare handles the conceit with\n\n¹ Nothing was commoner in Renaissance literature than for a literary client to urge on a patron the duty of transmitting to future ages his charms and attainments. The plea is versified in Sir Philip Sidney’s *Arcadia* (bk. iii) in the addresses of the old dependant Geron to his master Prince Histor, and in Guarini’s *Paster Fide* (1585) in the addresses of the old dependant Linco to his master the hero Silvio. Chapman dwells on the theme in an address to his patron the Duke of Lennox, in his translation of Homer’s *Iliad* (of which the publication began in 1598):\n\n> None ever lived by self-love; others’ good\n> Is th’ object of our own. They living die\n> That bury in themselves their fortunes’ brood.\n\nC 2","text_extracted_at":"2026-01-30T06:18:20.777Z","text_extracted_by":"ocr-service","text_has_content":true,"text_images_count":0,"text_source":"ocr","uploaded":true,"width":1750},"relationships":[{"peer":"01KG6Q7Q25RHMFT3SJXPV18VFF","predicate":"derived_from"},{"peer":"01KG6NWQ2H2K4PGG7H4ZHYCZ3Y","peer_type":"collection","predicate":"collection"},{"peer":"01KG6QHPH76281Y1E9E5KA8CF6","predicate":"prev"},{"peer":"01KG6QHPV7K5AJ4RV2HW7J4D02","predicate":"next"},{"peer":"01KG6R6Q8SHB9TS1W2EZ7J2ZJW","peer_label":"06_poems_pericles_facsimiles_1905_oxford_page_0430_medium.jpg","peer_type":"file","predicate":"has_derivative"},{"peer":"01KG6R6SMQEN8E8JAAZSGP900V","peer_label":"06_poems_pericles_facsimiles_1905_oxford_page_0430_thumb.jpg","peer_type":"file","predicate":"has_derivative"},{"peer":"01KG6S2X2EBB305ENM00G16GWA","predicate":"has_assembly"}],"ver":7,"created_at":"2026-01-30T05:55:50.270Z","ts":"2026-01-30T06:22:50.753Z","edited_by":{"method":"manual","user_id":"01KFFC4A8W8939TXGEXCK439ZK"}}