{"id":"01KG6QHPVCYMPCW08KE44EJCGK","cid":"bafkreih5ubfunj63l7kucu6iuhesy4mqapb7zj3pr7wz3ebdiuusz2se3y","type":"file","properties":{"cid":"bafkreicnq5ev64aeayiqrlm7azu6kyaatx7ykj4bu3cjqsv7zlwte2rx5a","content_type":"image/jpeg","filename":"06_poems_pericles_facsimiles_1905_oxford_page_0428.jpg","height":2400,"key":"pdf-page-1769752548768-hxr3sjhnfpe","label":"06_poems_pericles_facsimiles_1905_oxford_page_0428.jpg","ocr_model":"mistral-ocr-latest","page_number":428,"size":492411,"text":"17\n\n# SONNETS OF SHAKESPEARE\n\nSum iecur, ex quo te primum, Sydneie, vidi;\nOs oculosque regit, cogit amare iecur.\n\n*All liver am I*, Sidney, since I saw thee;\nMy mouth, eyes, rule it and to loue doth draw mee.¹\n\nAll the verse, which Elizabethan poets conventionally affirmed to be fired by an amorous infatuation with patrons, was liable to the like biting sarcasm from the scoffer.² But no satiric censure seemed capable of stemming the tide of passionate adulation, in what Shakespeare himself called ‘the liver vein’, which in his lifetime flowed about the patrons of Elizabethan poetry. Until comparatively late in the seventeenth century there was ample justification for Sir Philip Sidney’s warning of the flattery that awaited those who patronized poets and poetry: ‘Thus doing you shall be [hailed as] most fair, most rich, most wise, most all; thus doing, you shall dwell upon superlatives; thus doing, your soul shall be placed with Dante’s Beatrice.’ There can be little doubt that Shakespeare, always prone to follow the contemporary fashion, yielded to the prevailing tendency and penned many sonnets in that ‘liver vein’ which was especially calculated to fascinate the ear of his literature-loving and self-indulgent patron, the Earl of Southampton. The illusion of passion which colours his verse was beyond the scope of other contemporary ‘idolaters’ of patrons, because it was a manifestation of his superlative and ever-active dramatic power.\n\n---\n\n¹ ‘Have with you to Saffron-Walden’ (O 3 verso), in Nashe’s *Works*, ed. McKerrow, vol. iii, p. 92.\n\n² On the conventional sonnet of adoration Shakespeare himself passed derisively the same sort of reflection as Nashe when, in *Love’s Labour’s Last* (iv. 3. 74 seq.), he bestows on a love-sonnet the comment:—\n\n> This is the liver vein, which makes flesh a deity,\n> A green goose a goddess; pure, pure idolatry.\n> God amend us, God amend! we are much out of the way.\n\nc","text_extracted_at":"2026-01-30T06:18:19.348Z","text_extracted_by":"ocr-service","text_has_content":true,"text_images_count":0,"text_source":"ocr","uploaded":true,"width":1750},"relationships":[{"peer":"01KG6Q7Q25RHMFT3SJXPV18VFF","predicate":"derived_from"},{"peer":"01KG6NWQ2H2K4PGG7H4ZHYCZ3Y","peer_type":"collection","predicate":"collection"},{"peer":"01KG6QHPH0NHP4BP1H0BWBMBF3","predicate":"prev"},{"peer":"01KG6QHPH76281Y1E9E5KA8CF6","predicate":"next"},{"peer":"01KG6R6NJX4JTGZ9TK1BBWFWV0","peer_label":"06_poems_pericles_facsimiles_1905_oxford_page_0428_medium.jpg","peer_type":"file","predicate":"has_derivative"},{"peer":"01KG6R6QZJ1Z0FPSWC00NM2C69","peer_label":"06_poems_pericles_facsimiles_1905_oxford_page_0428_thumb.jpg","peer_type":"file","predicate":"has_derivative"},{"peer":"01KG6S2X2EBB305ENM00G16GWA","predicate":"has_assembly"}],"ver":7,"created_at":"2026-01-30T05:55:50.252Z","ts":"2026-01-30T06:22:50.741Z","edited_by":{"method":"manual","user_id":"01KFFC4A8W8939TXGEXCK439ZK"}}